Gate- Sunshine/Ives

Twisted Village

1992

Long running solo/side project of Dead C guitarist Michael Morely.  The A side is Gate at its most Dead C-ish.  With an actual guitar riff, drums, and vocals, this one comes off as very similar to what remained of recognizable song structure c. harsh 70's reality.  B side is one of Morley's guitar improv & record loops pieces.

Sunshine/Ives

Terminals- Medusa/Scarecrow

Roof Bolt Recordings

1996

This blog has been sorely neglected as of late, I know.  In an attempt to rectify that, I'm declaring April to be NEW ZEALAND MONTH.  Gimmicky, I know, but hopefully it'll be enough to motivate me to make time to post as many records as possible over the next few weeks.  Some choice cuts coming, so, you know, be sure to check back and all that.

First up, a real burner from the Terminals.  Though not too well known stateside, they're pretty much revered at home.  Formed in the mid 80's, they're still (somewhat) active, having released an album as recently as last year or so.  Their earliest material displayed elements of early 80's Flying Nun jangle but eventually began to morph into the much darker sort of organ driven menace that appears on this record.  This being New Zealand, of course everyone in the group was in a handful of other, equally amazing bands such as Victor Dimisch Band, Renderers, Dadamah, Flies Inside the Sun, etc. 

Medusa/Scarecrow

Tortoise-Mosquito

Torsion Music

1993

I just recently pulled out Tortoise's first album and was reminded of how amazing this band was back in the day.  This is their very first record, released on (if I remember right) Jesus Lizard bassist David Sims' Torsion Music in 1993.  These guys get an unfair shake from a lot of folks these days.  But they deserve, in the words of John Fahey, neither "the credit nor the blame" for the deluge to tepid "post-rock" that followed in their wake.  Fact is, when these first couple of records showed up there was nothing else like it going on.  I mean, there were touchstones for sure- Faust, Liquid Liquid, fIREHOSE, African Head Charge, CAN, etc.- but from the beginning they were able to incorporate a wide range of influences without being beholden to any set style or paradigm.  At this point though, they're still a band finding their voice and, as such, this record, upbeat and almost outright funky, is unlike anything else in their catalog.  

Mosquito

Gastr Del Sol/Tony Conrad

Table of the Elements

1995

Two titans of the modern Avant-Garde.  This record coincided with a 1995 series of concerts put on by Table of the Elements.  

Gastr del Sol wasn't the first or only band to employ methods and techniques taken from the world of modern avant-garde composition, but few other bands sought so explicitly, at their core, to create music based in that tradition.  While O'Rourke claims to cringe at the more abstract for abstracts sake aspect of those records, the fact is that they remain as some of the most singularly unique records not only of that particular time, but of the whole history of Experimental/Art rock.  I was always a particular fan of David Grubbs' piano playing.  His voicings and use of space at times recall the proto-minimalism of Satie or the later, sparer works of Feldman.  Here we have a fragment of song that floats in and out of a haze of subtle electronics and tape manipulation that perfectly exemplifies the Gastr del Sol modus operandi.

Tony Conrad does what Tony Conrad does.  Qualitative judgements can be hard to make with this sort of stuff, but perhaps this is at least an easier to digest portion for folks who find an albums worth (or a 4 cd boxsets worth) daunting.  Over the years Conrad's searing violin drone has rubbed shoulders with folks like La Monte Young, the Velvet Underground, and Faust.  But it's been in the last decade or so that his reputation has been rescued from obscurity and he's returned to somewhat regular performance.

The first 500 copies of this record also included a second record with an excerpted performance of a Conrad composition, Ten Years Alive on the Infinite Plane,  performed with Grubbs and O'Rourke.

The Japanese Room at La Pagode

Sun City Girls- Eye Mohini

Majora

1992

Most people that care about such things consider the early 90's Majora releases to represent something of a high water mark in this band's long and storied career. It was also a particularly productive period- this is one of four singles released that year.  The music here works well as an addendum to the amazing albums of the era (Torch of the Mystics, Bright Surroundings, etc).  None of this stuff turned up on the fairly recent singles compilation,  but I suppose future releases of that nature will be forthcoming.  The brothers Bishop played a mere hour down the road last week and I didn't go.  No excuse.  But I'm seeking solace in the Girls' back catalog.  

Eye Mohini